"It was with the work in the Negev that I was finally able to see the astonishing power of the "Focus-Point Technique" as a compositional tool.

Up to this time the development was more theoretical as I had had few opportunities for deep practical work.

When it came to distilling the material developed in the infinite down to a form that fitted the finite space of a studio or theatre, "Focus Point" proved to be very powerful force indeed, allowing me to move on to the next stage in its development."